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Joined 2 months ago
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Cake day: October 7th, 2025

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  • Oh, starting on a hill is absolute shit if you’re not good wth a clutch.

    The hardest I ever drove was a '72 VW Super Beetle and it would roll backwards the millisecond I took my foot off the brake… You couldn’t slip the clutch and have it grab fast enough. Did learn how to heel-toe the clutch and brake on that and the last year I had it, got so good with shifting by ear, I seldom used the clutch once the car was rolling. That was cool. Could downshift w/o the clutch as well. It was a 4-speed so it had a wider wheel speed/motor speed range to play with in each gear.

    Was almost as good with the no-clutch shifting on my '82 Celica (I really, really loved that car… rear wheel drive so it was drift city before I even knew that was a thing… and you BET I did… Sport Rally 5 transmission for the WIN!)

    Now I’m on my third Impreza and they have such grabby clutches, tight transmissions and small shift windows for no-clutch, that I’ve never really made inroads with it.

    I still drive like a maniac however.







  • Lots of kids in the neighborhoods across town wherre the families now live. In the part of town where I am where it is all rental units filed with childless professionals and retirement homes for affluent snowbirds, there was no trick-or-treating. My husband grew up here and in this part of town it used to be crawling with kids in the 60’s and 70’s. Then again, that was before rich people “discovered” our city and snapped up all the affordable rentals and converted them to luxury condos.







  • If you ever get a chance to see any of his works in a gallery or museum… do it! The colors glow like nothing you’ve seen.

    When I was little, I had an aunt that had one of the prints called Ecstasy - from 1929 - in her home.

    Faded and of course stained (even though it was under glass) from the chain smoking she did.

    It was one of her most cherished things, so I learned everything she knew about Parrish - she had an encyclopedic book on his technique which I read from cover to cover and as I got older, I tried my hand at glazing - a fierce technique of layering transparent and translucent color onto panel or canvas.

    Each color separated by a clear coat so you look into the image, like stained glass, layers deep.

    Years later, there was a comprehensive show of his pieces that came to the Currier Museum in New Hampshire (early 90’s IIRC) and I got tickets for myself and auntie…

    I got to his most famous image - Daybreak - and the colors in it are beyond anything that any online photos show.

    Not even the NY Lithographic Society that initially had rights to the image come close.

    Pinks and magentas in the trees that frame the image that take your breath away. I stood in front of that painting for a good 15 minutes and have the colors burned into my mind.

    At some point, if I can find a good enough high-res copy, I’m going to try my hand at doing a CMYK color separation of the image (with Photoshop or GIMP) and readjust to what it actually looks like. No one’s gotten it right. I’ve always been a bit of a colorist and zoom in on tint, tone and shade, so this challenge is one that hits my artistic monkeybone, big time.

    I won’t even get into the landscapes of the New Hampshire winters and the evening light he recreated in those images. You can fall into them.

    Definitely, again, if you ever get a chance to see a real Parrish… do it. It’s absolute magic.