To be pedantic, there was DRM on music purchased on iTunes prior to 2009. Was a bit of a ballache converting that back in the day. Could’ve been worse though, I do like to buy most of my music physically so I didn’t have to convert too much of my collection (still a ballache though cos it was still way more files than I wanted to convert).
Wait, what? That seems odd. They’ve deleted music videos from my account (which I had the files for, and the videos in question were also pulled from YouTube etc by the band, so I don’t think it’s apple’s fault they were pulled), but I still have all the music I’ve made myself. I do back it up every 2 or 3 months (I would cry for the rest of my life if I lost it, I have nearly 2yrs of continuous music), but I’ve never had to restore it (and this has reinforced why I do back up).
Edit: looked it up, I see the issue now. I don’t use Apple music, and every instance I can find of this happening is associated with ceasing that subscription. But I just use iTunes and the iTunes store. Dunno how this would work for you since it’s your own music (and I dunno if it’d work for music not in the iTunes catalogue, ie stuff from Bandcamp, qobuz, cough cough less than legal methods, etc), but it would appear all you have to do is log in to your account again and re-download the deleted files.
Second edit: just realised I have lost some actual music from my account. The series of live albums that iTunes directly released from the iTunes festivals they ran like 15yrs ago just came to mind. They’re gone from my account. And probably a bunch of others. They were never deleted from my hard drive though.
Pirates 2 had an $8million budget.
Heaps of people still buy music, sales still account for around half of music revenue.
The documentary film The Producers goes into great detail about the making of it.
Now that is a deep reference. Youre not wrong though!
Kurzgast (or however you spell it) did a video on this. In short, not enough fissible material on earth (well, I guess technically it’d be “in the earth”) to completely destroy the planet. Which is kinda remarkable cos that’s equivalent to 10 billion of the bombs dropped on Hiroshima.
Since you’re being pedantic, I will be too. According to the Cambridge dictionary, the word destroy can mean “to damage something so badly it cannot be used”. I’d argue making the planet incompatible for life is a pretty fucking good example of it being damaged so badly that it cannot be used. And we are doing that, it’s predicted we could lose up to 70% of all plant and animal species by the end of this century if we continue the way we are. Dunno how long after that it’d take to kill 100%, but I’d say taking out 70% is giving it a red hot crack…
You could also turn off autoloading of the next page in RiF. The app the RiF creator made for Tildes has the same option.
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Nah, I say he could’ve kept the swearing if he changed the intent. Maybe it’s my Australian slipping out, but they’re just words. They can’t hurt you. The intention sure as hell can, and I’ve seen way more vicious things written without swearing.
And agreed, it’s just an arsehole-ish rant in general, regardless of whether he swore or not.
So then what makes the swearing special? It’s the intent that makes them hit, not the words themselves.
The thing that made me question it is that Americans have a tendency of saying dumb stuff like you did, and mean it. Cos like you said, there is very little to properly compare them.
I really hope you’re making a joke cos of this one very limited example. Cos if not…
Need more info. The censoring or the swearing?
As an Australian, I’m offended. Swearing is part of our grammar.
Yeah, that wasn’t my experience in Australia. Every Samsung I ever had had google apps and Samsung apps preinstalled. None of the rest. And all those baked in apps were easily disabled if they couldn’t be deleted (I couldn’t delete YouTube, but I could disable it so I could run Vanced and not have the normal YouTube app be the default). I suspect that even though you bought a unlocked phone, it came with a bunch of shit baked in cos you are in the US. There’s a lot of shit that is copacetic there (more generally speaking than just phone related) that doesn’t fly in the rest of the world.
As I said, there are other reasons not to use Samsung devices, but all these stories I’ve gotten in this thread have not matched up with the experience I had in over 7yrs.
I literally said there were other reasons not to choose Samsung, I’m not making them out to be a saint. And I have literally had none of the issues you’ve described with the Samsung’s I’ve had in Australia.
Nah, Samsung didn’t ruin their phones, carriers in the US did. Don’t have any of that bloatware or ads on em down here in Australia. That being said, there are other reasons to avoid Samsung…
Bandcamp, qobuz, bleep, Beatport, theres a number of options out there to pick up cheap digital music. And then you also have the aforementioned eBay and discogs etc. Which, true, is second hand. But even splitting the amount the artist makes from that physical release between you and the person who previously bought it, they are still making way more from you than they would from just your streams.
And sure, 216 albums doesn’t seem like much. But they’d be all yours. Nobody could take them from you (well, besides if you got physically robbed I guess). There’s a bunch of stuff that has disappeared off of there. Big Black, Neil Young, Joni Mitchell, Joanna Newsom, off the top of my head. You also have artists that have never been on there, Tatsuro Yamashita comes to mind. It also used to be a real problem with artists like Tool, The Beatles, AC/DC just not being there at all too. Then there’s other times where I’ve been playing albums, and tracks are just straight up missing (I presume due to licensing issues). I remember being royally annoyed with A Cross The Universe missing a bunch of tracks ages ago, and it used to happen frequently enough with other releases that it made an impression. Plus all the classic hip-hop that is missing cos of sample clearance issues. And heaven forbid if you wanna listen to classical music, or traditional music from around the world, it’s as if Spotify has never heard of the genre (both genres are represented, but it’s such a poor showing that they would’ve done better if there was just none at all). And I understand that this isn’t all on Spotify, but I’ve never had any of those issues with my personal collection.
Is it perfect? No. Does it reward the artist fairly? Undoubtedly. Would I take it over Spotify? Every day of the year for the rest of my life.