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Cake day: July 24th, 2023

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  • I would love a true to the book series of World War Z. I’m not even sure anyone involved with that movie read the book. It should be a 3 season HBO series with an episode for each persons vignette. Intros and outros of each episode has the recurring reporter meeting the person and starting his recording as they launch into their narrative of what happened. If you need more episodes, just write additional vignettes. Season 1 is the events that lead up to the outbreak, season 2 is the war itself, season 3 is the aftermath. I’m pretty sure this is what Max Brooks was writing towards. It could be amazing.




  • invertedspear@lemm.eetoaww@lemmy.worldtoo much fluff 🐻
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    2 months ago

    Why is there a bear in the garage? Why is someone willing to be in such close quarters to it instead of getting rid of it? Why would you brush a bear? Like is there a bear show they’re entering it into? Why is the bear casually playing with a floor jack during the process, unless that’s just like its favorite hot wheels car or something?

    I get that I do not live in a place with bears, so my experiences don’t amount to much, but all I see in this video flies in the face of all wisdom I’ve ever heard about how to interact with bears.




  • Maybe it helps to know that it can’t perfectly capture your voice. It can get close enough no human can tell the difference, but it’s still not perfect. First of all it has a sampling rate. To make this more understandable let’s think of a sample rate of 1 sample per second. Think of two speakers playing at the same time. One is playing your favorite song, the other is playing the exact note of that some for one second each and only changing notes every second. It’s going to somewhat mimic your song, but it’s going to be terrible. Now imagine that second speaker makes 4 samples every second, now it’s playing your song a quarter of a second at a time. Sounds a lot more like your song, but in the same way stop motion looks a lot like movement but isn’t right. Note up that sample rate to 100s or thousands of samples a second, now you’re getting to the point you can’t tell the difference, but it still can’t be perfect, because it’s still based on a sample rate.

    If you can grok pictures from pixels, you can picture the same thing. If you averaged a picture out to one giant pixel, it’s unrecognizable, 4,8,16 pixels, maybe a simple icon starts to approximate into something recognizable. That little icon in your browser tab is usually 32 x 32 pixels. 1024 pixels total, and we barely consider that an image. It’s all about pixel count (sample rate). When you zoom in, you find that it’s not perfect, you always get to the point of individual pixels, unlike optical zoom where you can zoom almost indefinitely as long as you can collect enough light.







  • Petroleum may be both an accelerator and a filter. Filter in the form of plastic, like you’re saying, but maybe it’s weird that crude oil even exists in the first place. An era where plants die, but don’t decompose may be a rarity in itself. Then the geologic activity that buried that dead plant matter, but not too deeply for us to get to, seems like it could also be a rarity. So then we get this energy source that’s pretty energy dense and allows massive technical acceleration, but then poisons us and salts the earth behind us. Look how shortly we went from the first fixed wing flight to rocketing to the moon, amazing how short that time was. Hydrocarbons, allowing us to touch the greatness we could achieve, before smacking us back down.